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Susan McCaslin

Susan McCaslin

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Investigating protective spaces, lost voices, and the underbelly of trauma.

 

Wall/Paper II • 2018 • 35' x 22' • Newsprint, Sumi Ink, Clothespins
"Shelter" • 2017 • 35' x 8' • Newsprint, Sumi Ink, Clothespins
"Cladding" • 2015 • Roofing Paper, Acrylic, Chalk
"New Work" • 2014 • Wall: Newsprint, Sumi Ink, Clothespins • Floor: Newsprint, Sumi Ink, Construction Fencing • Sculpture: Plaster, Lathe, Paint
"Cladding" • 2015 • Roofing Paper, Acrylic, Chalk
"Cladding" • 2015 • Roofing Paper, Acrylic, Chalk
"Cladding" • 2015 • Roofing Paper, Acrylic, Chalk
"New Work" • 2014 • Wall: Newsprint, Sumi Ink, Clothespins • Floor: Newsprint, Sumi Ink, Construction Fencing • Sculpture: Plaster, Lathe, Paint
"New Work" • 2014 • Wall: Newsprint, Sumi Ink, Clothespins • Floor: Newsprint, Sumi Ink, Construction Fencing • Sculpture: Plaster, Lathe, Paint
'Sarape' Front • 40" x 30" x 5" • 2017 • Newspaper, Sumi Ink, Wheat Paste, Yarn, Glue, Spray Paint
'Sarape' Back • 40" x 30" x 5" • 2017 • Newspaper, Sumi Ink, Wheat Paste, Yarn, Glue, Spray Paint
'Coats' • 2014 • Wool, Paper Mache, Newsprint, Ink Jet Photograph
'Coats II' • 2016 • Wool, Newsprint, Paper Mache
'Coats' • 5' x 9' • Newsprint, Thread, Wheat Paste, Yarn (Photo by Dru Nadler)
Dying Paper in Studio • Newsprint, Sumi Ink, Clothespins
'Coat' • 5' x 3' • Newsprint, Thread, Wheat Paste, Yarn
'Jacket/Pants' • 5' x 3' • Newsprint, Thread, Wheat Paste, Yarn
'Coats' • 5' x 3' • Newsprint, Thread, Wheat Paste, Yarn
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Suggested Links

  • CAWCT
  • Design Monsters
  • The Institute Library
  • Weir Farm National Historic Site

Blog Archives

  • March 2018
  • December 2017
  • November 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017

Each year, worldwide, 40 million children are subjected to abuse.
--Ark of Hope

Stand up for what you believe.

My friend Sigrun Mueller shared her motto from the German poet Christian Morgenstern: 'Hopeless? This word has disappeared in me since I found Me in me.'

From Ann Hamilton: "In every work of art something appears that does not previously exist, and so, by default, you work from what you know to what you don't know."

©2017 Susan McCaslin • Site by Design Monsters, New Haven CT
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